“Evidence: War Crimes in Kosovo,” is a body of work produced in Albania, Macedonia, and Kosovo between February and July 1999. This work was a deliberate effort to address the issue of war crimes and was my first attempt to construct a documentary project in a war environment

“Evidence: War Crimes in Kosovo,” is a body of work produced in Albania, Macedonia, and Kosovo between February and July 1999. This work was a deliberate effort to address the issue of war crimes and was my first attempt to construct a documentary project in a war environment. Up until this moment, I had always worked on weekly journalism projects.

I had photographed the war in Bosnia from January 1993 until it ended in December 1995 and continued to photograph its aftermath through the late 1990s. My work in Bosnia was driven by news events and the demand for imagery from media clients in the USA and Europe. By the time the war ended, I felt I’d fulfilled my obligation to my clients but had failed to address directly what I saw as the critical issues of the war—crimes against humanity and war crimes.

The war in Kosovo was the final act of dismemberment of Yugoslavia, a vicious endgame. It was evident during the prelude to the war that the pattern of murder, rape, deportation, and persecution the world had witnessed in Bosnia was being revisited by military or paramilitary forces loyal to the Republic of Serbia on what it considered to be a subjugated civilian populace. I agreed with my editors at Newsweek, Charles Borst, and Guy Cooper, and with my longtime collaborator, Newsweek correspondent-at-large Rod Nordland, that I would focus my work on the issue of war crimes from the beginning of our coverage of the story. What remained was to find a narrative structure.

A few weeks after I arrived in Albania to start working amongst the displaced Kosovars fleeing Serb war crimes in Kosovo, a colleague from Newsweek acquired a copy of the International Criminal Tribunal for Yugoslavia’s indictment of Serbian President Slobodan Milošević and his collaborators. Once I read the indictment, I immediately understood that it provided the perfect structure for my project. The indictment notes every war crime in Kosovo and names the perpetrators, if known, the victims, and the locations of the crimes. It is divided into three parts: Deportation, Persecution, and Murder.

Words and photographs by Gary Knight

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